Abortion: A Woman’s Choice or In the Hands of Our Government?

  By: Lacy Blanton, Guest Journalist

June 2022: It was a dark time for many Americans across the nation, as on the 24th of that month, the Supreme Court had issued a decision concerning the Dobbs v. Jackson Women’s Health bill, overturning Roe v. Wade. The protection to the legal right to abortion was eliminated; with this, numerous states had begun to ban the rights and access to abortion. 

On September 15th, 2022: The state of Indiana, my home-state, fell victim to this deadly decision of a bill. The mere exceptions of legal access in Indiana are in the the cases of rape, incest, fatal fetal abnormalities, or to preserve the life and physical health of the person who is pregnant before 10 weeks after conceivement. 

I vividly remember the time it had all occurred. Ads, social media posts, news segments, and YouTube videos capturing images of those fighting in protest, or in support of this controversial bill. I recall many clinics being ushered to shut down in response, and the unwavering sound of victory at my evangelistic church. In addition, my church has recently implemented a drive to donate infant products and necessities to a pro-life organization for “mothers in desperate need”. 

I am here to express my anguish and disgust at such passing of a bill, how morally wrong it is in many ways, and how this option in mind must be the pregnant woman’s decision, not the government’s.

Many opposers will try to express how abortion is the murderous hunting of innocent unborn children. How the women who are proceeding with abortion are selfish, cold-hearted vipers. How clinics such as “Planned Parenthood” are greedy corporations who are unapologetically open about eliminating unborn life.

According to “KFF’s ‘Key Facts on Abortion in the United States’”, data before the Dobbs decision had gathered that a vast 92% of abortions occur during the first trimester of pregnancy. With this knowledge: we know that in the first trimester in a woman’s pregnancy, the embryo or fetus is a clump of biological molecules undergoing chemical reactions. Therefore, this leads us to the idea that this “baby” is not considered truly living.

Those who seek abortion as an option are a whole spectrum. They go through the procedures all for differing reasons. It is an immense injustice to label them and envision them in a negative light. “Planned Parenthood’s ‘Our Abortions, Our Stories’” shares the anecdotes of women from around the US, giving their reasons as to why they chose the path they did. One woman said in the article, “My stepfather abused me from age 8 to 17. At 15 I became pregnant and lied to my mother that it was my boyfriend’s. I had an abortion because the mental and physical abuse continued afterwards…”. Another lady said, “When I was 20 I had an abortion. Being so young and barely getting by financially, I was in no position whatsoever to have a child…”. A third said, “…At age 31, I had a 3 ½ year old son and was pregnant with my second child… My husband and I found that the baby had several heart defects. We went to see several specialists to see if his heart could be fixed after he was born. They told us that he would live and grow in utero, but would die after birth… We decided to spare him the suffering and interrupted the pregnancy at 22 weeks.”

“Planned Parenthood” is a health organization that has a 3% abortion service, with the majority of their work consisting of STD testing and treatment, cancer screenings, infertility services, and offering sex education. To get an abortion through them, the organization has you meet with your doctor, nurse, or health counselor to discuss whether abortion is the best decision for you. Even if one is adamant about going through the procedure, they emphasize that they will halt everything if you change your mind, even as far as the surgical removal. With these facts, it shows how precise and supportive Planned Parenthood is, and always looks to the best interest no matter what one decides. 

“Capital B”’s Kenya Hunter gave insight on a reproductive rights group launching a campaign, and also gave how they advocate that abortion bans are racist against the Black community in America. The group, known as “Unite for Reproductive and Gender Equity” or “URGE”, had its Georgia organizer say, “We aren’t just strictly coming from a lens of what’s happening with our wombs or with our uterus,.. [Abortion bans] have a trickle-down effect. People with low income have to bring in another child that they can’t afford. The point of the ‘Abortion Bans Are Racist’ campaign is to make sure the conversation isn’t just about abortion… but how does this further create disparities within our communities?”. Additionally, their campaign had researchers who predicted to them that with more people forced to carry out their pregnancy, this will result in increased risks in bad maternal health. As a Georgia-based news organization: Hunter points out how the state’s Black women are already three-times more likely to die from pregnancy-related complications than White women.

As of 2023, only three US states have the right to abortion in full status. These states being California, Michigan, and Vermont. 

I, like many others, find this decision from our Supreme Court to be disappointing and discouraging. This is a reminder that our country still has room for improvement regarding a human’s right. 

We cannot change the mind’s of every individual, but if we can show the Supreme Court the dangers to this passed bill, perhaps they can reconsider this injustice. 

Fortunately, we are not alone in this protest. As Kenya Hunter had discussed, URGE’s ‘Abortion Bans Are Racist’ campaign is just one of many groups fighting against this ban. 

 This isn’t based on a viewpoint that is politically-motivated, and with the harms that this ban is capable of as mentioned: it is unavoidable to point out its concerning flaws. Kaelea Lucas, the Georgia organizer for URGE, said it best; “The decision of what somebody does with their body and whether or not they are going to get an abortion ultimately should be between that person, family, and maybe a medical provider if that’s what feels comfortable to them,… But who should not be involved is the government. There should be no political reasoning for anything like abortion bans.” Banning the right to abortion sends the wrong message to so many. It silences voices, gives misinformation about clinics like “Planned Parenthood”, gives ignorance to the idea that “babies” are being “killed”, and drastically affects the Black community in health and finances. With this ban and absurd claims continuing to be established, we are going to do more harm than good toward women and their overall health. 

The Creativity in Restrictions

By Sam Ottinger

Getting into the arts can be a challenging quest, whether it’s getting the ideas or actually putting said ideas into the world. In this time of confusion, I believe that having a rubric of restrictions can be the support that lifts creativity to its highest form. Having a set of rules to follow can help ideas flow, it can be a more relieving position, and help the artist try new things.

Many can agree that one of the most difficult parts of the arts is creating the idea, yet when you have to work your way around certain things, then it can be an easier way to find the path that will lead you to a fall of ideas. Restrictions put in the building blocks, then the artist can complete the designed task, and after they are able to push certain aspects (that aren’t restricted) to make the piece their own. It can also help cut down on decisions that are put in the artist’s hands, so they don’t get overwhelmed and burned out as quickly by the overflow of creative ideas. As stated by Thomas Oppong in his article about creativity, on Inc., “With constraints, you dedicate your mental energy to acting more resourcefully. When challenged, you figure out new ways to be better.” Having a specific direction for where your energy can go can help you get more ideas and thus the artist goes through a slower decline in their ideas.

Instead of having total freedom and being surrounded by stress from blankness in the creative department, you are able to get a new point of view which can help you get a better understanding of different techniques for a new set of tools. Some may say that with restrictions, it can be difficult to fully shine because of the choices being so limited, and they aren’t entirely wrong. When creative rubrics are too restricting, it can lead to the same amount of problems that having too much freedom contains, extra stress to stay in the lines and lack of related ideas. It’s just like everything else, too much of anything is bad. Yet when these placements are done right, it can be extraordinarily beneficial for the artist. As said by Jason Bell, an Associate Professor of Marketing at Saïd Business School, “When well placed, constraints can force us to step out of our mental comfort zone and connect a schema to something new. This can very often lead to innovative ideas”.

Unclear directions and the fear of experimentation can hold many people back, including the need for near perfection is a craving that many artists, whether new or old, chase after for years. When using restrictions in your craft, it will give you clearer directions, help you be forced to try something new, and it can push you to slowly become ok with not reaching the status of perfect perfection. A batch of restraints can not only force you to try something new, it can also help you focus and create better ideas then you would have before. An article published by the official Harvard Business Review helps to support this claim by stating, “Constraints, in contrast, provide focus and a creative challenge that motivates people to search for and connect information from different sources to generate novel ideas for new products, services, or business processes”.

Women’s History Month 2023: Celebrating Storytellers 

By Lacy Blanton, Guest Journalist

March is upon us once again. With this, the annual events of this month include the highly-anticipated March Madness, the mournful (or celebratory) ending of winter, and the welcoming of spring.

Another special event arises during this time: Women’s History Month, an annual declared month that highlights the honorable contributions of women from our society. Each year within the United States, a distinctive theme is chosen by “The Women’s History Alliance”. Recognizing the diversity and different roles that women have played throughout history. 

This year’s theme is a very special one. That theme being “Celebrating Women Who Tell Our Stories”. Highlighting those who have dedicated their lives and been active through press, broadcasting, blogs, podcasts, playwrights, scholars, and much more.

I wish to recognize and honor the trailblazing female journalists, from yesterday and today, who have made and continue to create a potent bridge between women and the world of journalism.

Barbara Walters – (1929-2022)

Legendary broadcast journalist and television personality, Barbara Walters has been in the journalism world for remarkably over sixty years.    

After receiving a bachelor’s degree in English from Sarah Lawerence College, Walters would land a position in writing press releases for NBC network’s flagship station “WNTB-TV”, now known as “WNBC”. In 1961, she joined “The Today Show” as a researcher and writer, and later became the program’s ‘Today Girl’. Only handling light stories and discussing the weather. A time Walters herself described, when a woman discussing “hard news” wasn’t an idea that many took seriously. She broke that mold however in 1974 by being the first female co-host of a US news program.

By 1979, Walters had teamed up with Hugh Downs for “ABC”’s program “20/20” as correspondent and later co-host. Where she flourished until her eventual retirement in 2004. Seven years prior, she became the co-creator, co-executive producer, and co-host for daytime talk show “The View”, and later retired from her career as a noteworthy anchor and journalist in 2014.

Throughout the course of Walters’ career: she was most eminent for her interviews involving high-profiled individuals. Such as former US president Jimmy Carter and wife Rosalyn Carter, current Russian president Vladimir Putin, actress icon Lucille Ball, and ‘King of Pop’ Michael Jackson. She was also well-known in asking the most brutal of questions amidst interviews.

Barbara Walters passed away peacefully in her Manhattan home on December 30th, 2022. She was 93 years old. In death, she leaves behind a daughter, close friends, and a legacy of helping pave the way for future female journalists.

Belva Davis – 

Born in 1932, Belvagene “Belva” Melton-Davis is another phenomenal example of shaping the world of storytelling. She was the first ever African-American woman to be a television reporter for the US west coast, and worked as a radio broadcaster and news anchor for multiple stations.

Upon performing a freelance assignment for African-American magazine “Jet”, and receiving a mere $5 with no byline from it: Davis found herself writing pieces for other minority publications such as the “Sun Reporter”. 

Throughout the 1960’s, Davis worked radio stations across radio stations with “KSAN”, “KDIA”, and “KNEW”. She then ultimately landed a spot for “KPIX-TV” in San Francisco, where she was positioned for thirty years. 

Davis made herself recognizable for her coverages involving politics, race, and gender. As well as her calm, collected disposition. She has gone on to win eight “Emmy Award”’s and has been recognized by the “American Women in Radio and Television” and the “National Association of Black Journalists”.

Belva Davis is still alive and well today; having been retired since 2012. She cheerily lives in Petaluma, California with husband Bill Moore. She has two children with ex-husband Frank Davis. Despite her current age and reported diminishing memory, the journalism community still sees the versatile, talented woman who has ‘opened the heavy doors’ for so many. 

Juju Chang – 

Korean-born television journalist, Hyunju “Juju” Chang has created an impressive career for herself with backgrounds in “ABC News” and “Nightline”.

From Stanford University, Chang graduated with a bachelor’s degree in Political Science and Communications. After school, she began working for “ABC” as a desk assistant in 1984, and would later work for “ABC World News Tonight” as a producer and off-air reporter.

By 2009, Chang had made history in becoming the first Korean-American with an essential role in US morning news television through being a part of “Good Morning America”; where she was the news anchor and helped contribute news stories. She would eventually leave to work full-time for the program “Nightline”.

With her work-ethic and dedication, Chang has received numerous awards throughout the course of her career. Some of her achievements include the “Alfred I. DuPont”, multiple “Gracie’s” and “Emmy’s”, and a “Freddie” award.

Chang now lives on the west side of lavish Manhattan with husband Neal Shapiro (whom she has three children with), proudly continuing to serve as anchor for “Nightline”. She is an involved member of the Asian-American community as she is a founding board member of the “Korean American Community Foundation” and member of the “Council on Foreign Relations”.

Akoto Ofori-Atta – 

Proud co-founder and chief audience officer for the Black-led national news organization “Capital B”: Akoto Ofori-Atta is one of a kind in her work.

In her early life, Ofori-Atta earned her bachelor’s degree in Print Journalism from Hampton University, and received a master’s in Communication, and Culture and Technology from Georgetown University.

She would go on to become the associate editor and social media manager for “The Root” and hold the position of senior editor at “Essence Magazine”.

Before leaving to pursue further development of “Capital B”, Ofori-Atta was previously the managing editor for “The Trace”, where she took full accountability for partnerships, special projects, and editorial operations. She had also completed a John S. Knight Journalism Fellowship at Stanford University in 2015, focusing on issues regarding the Black press and diversity.

Today, Akoto Ofori-Atta continues to help “Capital B” flourish. Her “Instagram” account showcases the vibrant life she lives. Through promoting “Capital B”, sharing past heartfelt memories of friends and family, and pictures of her and the love of her life. She and her husband also share a beautiful baby girl together.

Shahrnaz Javid – 

Woman of words, wearer of all hats, vivid photographer, and traveling-dreamer: Shahrnaz Javid is no doubt a soul many people should aspire to be.

Born in Louisville, Kentucky and graduated from Jeffersonville High School in 2011, Javid’s background and story is one that touches many of us.

Upon graduation, Javid attended Columbia College Chicago to major in magazine writing and was under a scholarship when attending. In 2016, she graduated with a bachelor’s degree in Journalism.

Since then she has been involved in a number of enterprises as a writer and/or content creator. Several of her works include being an intern submissions editor for “Toksick Magazine”, a content creator for “The Times”, and currently holding the positions as a creative writer for “Unsaid” and contributing writer for “SVRN”. On top of that, Javid is her own boss as she is self-employed as a freelance writer and photographer.

Residing in Antwerp, Belgium with her husband and their beautiful little daughter, Shahrnaz Javid is very open about her career and life through her “Instagram” page. Upon reading and catching glimpses of her page, one can say it’s like a storybook come to life. Shots of urban European landscapes, eccentricities, lovely colors, and captions with words belonging to a poetry book. 

Shahrnaz Javid, like the rest of these outstanding storytellers, is someone who is beyond influential.

Reading and/or listening to all of their professional work is an absolute must. They are all a mix of talent, truth, and devotion combined. These five journalists did more than merely write. They created a story of their own that many more female storytellers will look up to.

The Repetition of Star Wars

by Sam Broady

Star Wars has been releasing a lot of content lately. You can watch it all on Disney Plus. But will you enjoy it? Do you like repetitive spinoffs that keep you attached to the past? Or do you like refreshing stories with new characters and expansive lore? I believe the writers should focus more on originality than formula. This was the great mistake of the Disney purchase in 2012. They continue to show their desperate merchandise intentions through all these films, series, games, and more. But Star Wars isn’t the only cash-grab franchise; that term applies to Marvel, Pixar, and the rest of Disney as well.

Let’s start with the sequel trilogy. Whether you enjoy it or not, there’s no denying its similarity to the original trilogy and its reliance on fan service. Disney didn’t plan a storyline, their writing was based on the audience’s reactions to each installment. For example, the amount of backlash that “The Last Jedi” received led to a retcon of everything in “The Rise of Skywalker”. Rey is a Palpatine instead of a nobody; Anakin’s lightsaber is fixed; Kylo has his mask back; and Rose is heavily sidelined. Fast forward to season 2 of “The Mandalorian”. The first season is its own story, but the next one is a festival of cameos from well-known franchise characters including Cobb Vanth, Bo Katan, Ahsoka Tano, Luke Skywalker, and R2-D2. Then there’s an animated series entitled “The Bad Batch”, a prime example of one cliche after the other. There are some good episodes, but most of them have no stakes and old characters are thrown into the story on occasion to keep us engaged. Next we have “The Book of Boba Fett” which is literally living in the past. There are cameos everywhere and Tatooine is an overused location that loves smashing familiar sites in your face. Which is one of the problems with the series “Obi-Wan Kenobi”. It’s nothing new; it uses shaky cam too often; and it’s the third time we’ve seen the protagonist care for a child.

There’s a pattern to be noticed here. Disney is relying too much on our familiarity with the franchise in order to get viewers. I think plenty of people would still watch their content if they took a new approach. “The Mandalorian” was the first Star Wars series on Disney Plus and it succeeded because it’s a standalone story with a completely different tone. But people don’t realize that. The final arc of “The Clone Wars” is in the top tier of television. “Andor” is such a bold take on the lore and it doesn’t feel like Star Wars at all. Clearly, Disney isn’t always lazy. “Rogue One” is a great film that tells its own engaging story without the Skywalkers. “Rebels” is a fun series with many meaningful moments such as Ahsoka’s duel with Vader and Kenobi’s confrontation with Maul. The point is that Star Wars needs to be more consistent with its quality. One day, it’s the same old content. The next day, it’s the best we’ve seen in a long time. The reason Star Wars became popular in the first place is because it was something no one has ever seen before. It’s an exploratory adventure with memorable characters and iconic imagery that blew everyone’s minds with the ambition of its filmmaking. Now, they need to continue building off of that.

The other Disney projects have the same issues. The Marvel Cinematic Universe is even more formulaic and I cannot stand how unoriginal the majority of its installments are. They’re typical superhero stories with an overuse of poor CGI. Again, not all of them are like that. It mostly applies to Phase 4 and the amount of content released isn’t helping. They need more time to craft thoughtful and passionate projects. Pixar isn’t necessarily in the same boat, but even their films have a tiring formula at this point. Sure, each installment has its own creative premise and execution. But they all have very similar messages. Whether they’re about life, family, or friendship.

The moral is that people don’t like seeing the same thing over and over. We only pay to do so because we expect something from franchises that we fell in love with. Writers like Dave Filoni, Jon Favreau, and Rian Johnson need to stay in the business because they have bold takes on storytelling in Star Wars. Dave Filoni dove so deep into the lore of the universe; Jon Favreau crafted an original and immersive western story; and Rian Johnson wasn’t afraid to take a trilogy into a new direction. I believe techniques like those are what’s most important.

Speaking Out on “The Poet X”

By Lacy Blanton, Guest Journalist

Image: HarperCollins Publishers, 2023

“Even with the tambourine and festive singing, these days, church seems less party and more prison” is one of many quotes and themes from the ingenious book “The Poet X” that simply took my breath away through amazement. 

“The Poet X” is a 2018 young adult novel written by Harlem-based author and poet Elizabeth Acevedo, published by “HarperTeen”. 

The story follows fifteen-year-old Dominican girl Xiomara Batista living in the vibrant city of Harlem, New York. A land home to thousands of Afro-Latino identities, and its culturally rich street life that her overprotective Mamí shields her from. Xiomara (who also goes by “Xio” or “X”) hides the beautiful talent of her writing in a notebook. In it, she lyrically pours out her thoughts and documents the struggles in her daily life. These struggles include frequent sexual harassment from men, questioning the authenticity of her birth-religion and Mamí making that freedom of choice difficult for her, and her confused feelings after a blossoming crush on a boy at her school. X discovers and is captured by the Black-based culture of slam poetry, which she begins to explore within her notebook. Living in a world where people try to keep her silent, X learns the power of her poetic words and fights for them to be heard. 

A feature that makes this novel compelling is how it is written from an in-verse perspective. Each chapter is reminiscent of a page from a notebook, and almost every chapter is a poem that documents X’s life. Each poem or “entry” has a style that is easy-to-follow. They’re typically short but powerfully clever nonetheless. (A huge plus for those who struggle paying attention when reading.) Other details are that each chapter is dated to a month and a day of the week. All of this helps create an atmosphere that you’re truly immersed into X’s world, that you really are reading the notebook of an impressionable but talented teenager. And with that, rooting for the main character feels essential. The shockingly realistic plot and brutal honesty is also an immense factor to the novel’s merit. The summary given above are just several of the many heavy topics that the story tackles, but all are dealt with in a respectful and believable fashion. The novel is loaded with memorable quotes that’ll make readers’ fingers snap and go “mmm” with their mouths, most likely linked to the straightforwardness. As X and her family are Latinx, there are several chapters or phrases completely written in Spanish. Additionally helping the novel contain a piece of realism and have the readers feel even more immersed in the protagonist’s culture. Above else, the message of speaking out was the true shining star. Acevedo didn’t just write this book, she made this with true love and passionate words. 

I, like many reviewers that have marveled over this book, are touched by this story. X’s passions, struggles, and life holds a mirror to mine. Not only as a person of color, high schooler, and twin, but also as a writer and poet wishing for my work to be heard. 

Since its release, many schools across the US have outright banned the book for its inclusive themes of sexuality in adolescence, and claims of it being ‘anti-religious’ and having ‘alternative beliefs’. What these schools fail to realize is that “The Poet X” was not written for controversy, spectacle, or shock. It is a daring book that tells the real lives and situations of numerous individuals. From a current teenager’s coming-of-age to a grown adult who had similar experiences to X’s growing up. Acevedo’s central message about the power of voice alongside the art that is slam poetry within this story is a message for all to hear. It is absolutely going to save and inspire many.

School Lunches

Written By: Bradley Prather

Jeffersonville High School’s lunch is not the best thing in the world. I have heard many things about their lunch, and many say it’s equivalent to prison or jail food. I believe that JHS can improve their lunches in many ways. So in my article, I will be sharing my, and others, opinions on how they can improve their lunch. I will also talk about the price of lunches and why everyone’s lunch should be free.

One big issue with the food that they serve us students is the overall quality of the food. To start off, the chicken patties that they serve are very dry and bland. Secondly, the fries they serve us are usually half frozen still and undercooked. And the biggest problem, the food is either undercooked or overcooked. Though, not all things are bad about their food, their pizza is one of the better things they serve, and seems to be one of the more popular things amongst students. Finally, we serve the same thing everyday, except for the experimental kitchen line, but they serve the same thing in that line as well.

Now, I’m going to share some opinions of students, and my own on how they could really improve what they do and make. For me, I think if they actually paid attention to how long they keep things in their ovens, the food would turn out a whole lot better. One of the things people told me was to add variety, one of the foods people said they wanted to see a lot more was chicken nuggets and tacos, which I can agree on. Cainen Skaggs, a sophomore said, “Use fresher ingredients and food.” This is a very great idea, since many people complain about the food being bland, adding more seasoning and such would greatly improve the food. A fellow friend of mine, Cooper Pickles, said, “Adding more lines, so food can get to us faster.” One main problem is how long the pizza line can take, and many people on Monday are eager for Papa Johns, so having maybe 2-3 lines for pizza would be amazing. A senior I questioned said, “Letting students sell our own snacks” Letting students sell their own snacks would be cool, it could tie along to having more variety of what you can eat, and students would really like it.

“Lunches are equivalent to gas prices” this quote describes the price of lunches best. A lot of students in the school are enraged to say the least about lunches costing more. For some students in the building, lunch is the only meal they may get to eat, and they may not have money to pay for their food. I know that some students get their food for free, but why can’t EVERYONE get their food for free in school?

The Absence of Middle School

Written By: Nathaniel Edwards

(Pictured Above: Kaydee Merrifield)

An integral part of childhood development is the knowledge and skills acquired in middle school. In elementary school, you are exposed to a small group of students, separated heavily by the grade you are a part of. However, once you hit middle school, not only are you exposed to students from various elementary schools in your district, but students in all grade levels interact with each other. This melting pot creates an environment that forces students to interact with one another, and create the social skills necessary for the real world. This integral part of development was shattered in 2020. Desks began to spread, masks blocked faces, interaction was minimized. The freshman in 2022, the class of 2026, were stripped of their entire middle school experience. For Kaydee Merrifield, this has created an issue in her freshman experience.

Kaydee Merrifield is part of the class of 2026 and a former River Valley Middle School student. For her, the Covid-19 pandemic has halted her social skills and academic knowledge. Covid-19 started, for Kaydee, during her sixth grade year. Everything went online, and she would not be back in school until July of her seventh grade year. Although, coming back to school would not be any more advantageous to these social skills and academic knowledge than staying at home. At lunch, Kaydee expected to be able to make a big group of friends and socialize with them daily, but it became impossible due to the rule of three to four students per table. Class was not much better either; desks were spread so far apart that it was impossible to turn to a neighboring desk to talk or give simple remarks. “I was really crossing my fingers to make more friends in middle school but I did not make as many as I wanted to because I could never get around people.”

Suddenly, Kaydee was a freshman in high school. “Coming to high school, it’s like somehow I got whiplash. Suddenly there’s a lot of stuff.” Everything she grew to know as normal in middle school was now irrelevant. The normal became the standards expected from Freshman three years ago. Teachers expecting these standards is detrimental to the success of the Freshman class. “My math teacher expects us to know certain things, but I didn’t get a chance to learn them.” It is not just math that has this expectation, it is almost every Freshman class. Kaydee was never a science person, but her Biology Honors instructor expects so much from her class that she is now getting constant C’s. This pressure for reaching an academic level that you did not build to efficiently is suffocating individuals’ mental health.

“I definitely became less social during Covid. I like talking to people; it takes me an hour to leave a party because I keep getting stuck in different conversations. Now, it takes me a lot longer to even introduce myself to people.” It is intimidating to come to a brand new school where you get to interact with a large assortment of people, but given that you could not socialize consistently with your own middle school classmates, Freshman year is that much more difficult.

Kaydee Merrifield has to pick up the pieces she was not taught quickly, but she is doing it successfully. She is making tons of new friends, and she has established a wonderful relationship with a new friend group. Although this year will be difficult, she continues to show that it is possible to make this situation work. All Class of 2026 Freshman are struggling with their academics and socialization, but as the year progresses, we hope all Freshman can work as hard as Kaydee Merrifield is.

Stranger Things Season 4 – Review

Project | Stranger Things, Season 4 - Rodeo FX

Written By: Samuel Broady

The popular Netflix original series known as “Stranger Things” fully released its fourth and latest season last July and fans all over the world are still talking about it. Everybody loves a great sci-fi horror story about a group of kids stopping supernatural forces; and, personally, I believe that the show deserves all the views and love it has received. Of course, the newest season isn’t without its flaws, but it did revive the show and there’s a lot of reasons for that.

The main improvement with the fourth season is that the original elements of mystery and horror have returned. It’s safe to say that a mysterious story is all about revealing one piece of information after another, until each piece fits together perfectly to reveal the whole story. On a horror basis, this season really cranks it up. It embraces the Stephen King vibes and it increases the brutality. With the introduction of the villain Vecna, it’s a refreshing take on the genres that made the show magic in the first place.

Another thing that has always driven this show is the characters. Eleven is always interesting; Hopper remains a strong fighter; Steve’s development is amazing; and Eddie is amusing. However, in Season 4, Max has the best arc. She blocks out her friends because of her depression and trauma. But when she’s faced with the risk of death, she uses her happy memories to escape the darkness. What seemed like an apathetic lifestyle turned into an instinctive embracing of friendship and life. As a social commentary, I believe that her struggle is the best aspect in the new season.

There are a lot of other positive aspects in this season. The emotions are all over the place. Building off of our attachment to the characters, there are several heartbreaking scenes.

Additionally, the scope of the story is huge, the production design is off the charts, the filming locations are stunning, the special effects look convincing, the cinematography is showcased in spectacular use of dramatically colored lighting, the action doesn’t fail to entertain, and the performances rock. Sadie Sink (Max) and Millie Bobby Brown (Eleven) especially shine in this season. Finally, the music is awesome. The biggest example is “Running Up That Hill”, a song from the 1980s by Kate Bush, which topped the charts on Spotify this year after its revival on the show.

There are negative aspects, unfortunately. The biggest issue is how overstuffed the episodes are. Too much happening can make one get lost and some subplots are more engaging than others. They should remove characters because some have no need in the show anymore. Also, the amount of plot armor and untied loose ends is somewhat underwhelming.

Needless to say, “Stranger Things” Season 4 improves on a lot of things. It’s not perfect, but it certainly proves the possibility for blockbuster television. All we can do now is wait for Season 5 and hope it’s even better because the future looks bright. According to the Duffer Brothers, we’re headed into a time jump that will only take place in Hawkins with no new characters. And that sure sounds promising.

All in all, Stranger Things Season Four deserves a 9/10.

Puss in Boots: The Last Wish – Review

By: Sam Broady

2022 was a good year for movies. With “Top Gun: Maverick,” “The Batman,”  “Glass Onion: A Knives Out Mystery,” “Bullet Train,” “Everything Everywhere All at Once,” cinema was back. Oddly enough, there was one other film in theaters that nobody asked for, nobody expected it to be good, and nobody hated it. That film is “Puss in Boots: The Last Wish.” Out of all the possibilities for a sequel, “Puss in Boots” turned out to have one and it happened to be amazing. I was blown away in theaters. I have a good memory of it and I look forward to re-watching it because it may be my favorite Dreamworks film. “How to Train Your Dragon” held that title for a long time.

The best thing about this film is by far the animation. In all honesty, it is the best animation I have ever seen. “Spider-Man: Into the Spider-Verse” is well known for its top notch animation, but while its visuals have the highest highlights, I think this film has better visuals overall. The action looks especially good. I love how the frame rate slows down in all the fight scenes. My favorite scene is the fight between Puss in Boots and Death because the color scheme looks amazing. I adore the use of colors and lighting in this film.

Another thing I love about this movie is the characters. I think it’s really important for a film to prioritize its characters if it wants to be memorable; luckily, that’s what happened. I highly enjoy Puss in Boots in this film. I don’t remember anything about the prequel but it doesn’t matter. Antonio Banderas gives the character such energy and he keeps his vibrant personality among the challenges he faces. I like his reunion with Kitty: she gets the job done. Perrito the dog is a funny addition. He brings love and comfort to the story. Goldilocks and the three bears are a delight to see and I didn’t expect them to be so fun. However, my favorite character is the wolf. His name is Death and he is the coolest character in fiction. Every time he’s on screen, he gives me the creeps. 

Surprisingly, the themes are conveyed with more depth than I expected. This film explores the fear of dying, which many can relate to. With Puss in Boots being on one out of nine lives, he is running for his life for the first time. His objective in the story is to make a wish for more lives so he can be the legend everyone knows him as. But, in the end, he realizes one life is enough when he gets to spend it with the people he loves. Or should I say animals. Everyone else cancels their wish as well when they learn to appreciate what they have. Having someone to trust, having a family, having friends; there’s a heartfelt message about sticking with what you have in life and it’s done in a rather subtle manner that complements the characterization of our protagonist.

Extra aspects that I enjoyed are the voice acting, the humor, and the music. I don’t know why Dreamworks went so hard on this film, but I am so glad they did. We need more animated masterpieces like these; films that specialize in the telling of a story and the style of animation rather than serving as a formulaic cash grab that intends to sell merchandise and teach kids nothing. You can feel the passion that went into every frame of this film. I cannot feel anything when watching films produced by Illumination like “Minions”. The difference in quality between Illumination and Dreamworks is unreal. By all means, I think it’s safe to say that “Puss in Boots: The Last Wish” is the best animated film of 2022 and I am very thankful for its release.

Abortion: A Woman’s Choice or In the Hands of Our Government?

  By: Lacy Blanton, Guest Journalist

June 2022: It was a dark time for many Americans across the nation, as on the 24th of that month, the Supreme Court had issued a decision concerning the Dobbs v. Jackson Women’s Health bill, overturning Roe v. Wade. The protection to the legal right to abortion was eliminated; with this, numerous states had begun to ban the rights and access to abortion. 

On September 15th, 2022: The state of Indiana, my home-state, fell victim to this deadly decision of a bill. The mere exceptions of legal access in Indiana are in the the cases of rape, incest, fatal fetal abnormalities, or to preserve the life and physical health of the person who is pregnant before 10 weeks after conceivement. 

I vividly remember the time it had all occurred. Ads, social media posts, news segments, and YouTube videos capturing images of those fighting in protest, or in support of this controversial bill. I recall many clinics being ushered to shut down in response, and the unwavering sound of victory at my evangelistic church. In addition, my church has recently implemented a drive to donate infant products and necessities to a pro-life organization for “mothers in desperate need”. 

I am here to express my anguish and disgust at such passing of a bill, how morally wrong it is in many ways, and how this option in mind must be the pregnant woman’s decision, not the government’s.

Many opposers will try to express how abortion is the murderous hunting of innocent unborn children. How the women who are proceeding with abortion are selfish, cold-hearted vipers. How clinics such as “Planned Parenthood” are greedy corporations who are unapologetically open about eliminating unborn life.

According to “KFF’s ‘Key Facts on Abortion in the United States’”, data before the Dobbs decision had gathered that a vast 92% of abortions occur during the first trimester of pregnancy. With this knowledge: we know that in the first trimester in a woman’s pregnancy, the embryo or fetus is a clump of biological molecules undergoing chemical reactions. Therefore, this leads us to the idea that this “baby” is not considered truly living.

Those who seek abortion as an option are a whole spectrum. They go through the procedures all for differing reasons. It is an immense injustice to label them and envision them in a negative light. “Planned Parenthood’s ‘Our Abortions, Our Stories’” shares the anecdotes of women from around the US, giving their reasons as to why they chose the path they did. One woman said in the article, “My stepfather abused me from age 8 to 17. At 15 I became pregnant and lied to my mother that it was my boyfriend’s. I had an abortion because the mental and physical abuse continued afterwards…”. Another lady said, “When I was 20 I had an abortion. Being so young and barely getting by financially, I was in no position whatsoever to have a child…”. A third said, “…At age 31, I had a 3 ½ year old son and was pregnant with my second child… My husband and I found that the baby had several heart defects. We went to see several specialists to see if his heart could be fixed after he was born. They told us that he would live and grow in utero, but would die after birth… We decided to spare him the suffering and interrupted the pregnancy at 22 weeks.”

“Planned Parenthood” is a health organization that has a 3% abortion service, with the majority of their work consisting of STD testing and treatment, cancer screenings, infertility services, and offering sex education. To get an abortion through them, the organization has you meet with your doctor, nurse, or health counselor to discuss whether abortion is the best decision for you. Even if one is adamant about going through the procedure, they emphasize that they will halt everything if you change your mind, even as far as the surgical removal. With these facts, it shows how precise and supportive Planned Parenthood is, and always looks to the best interest no matter what one decides. 

“Capital B”’s Kenya Hunter gave insight on a reproductive rights group launching a campaign, and also gave how they advocate that abortion bans are racist against the Black community in America. The group, known as “Unite for Reproductive and Gender Equity” or “URGE”, had its Georgia organizer say, “We aren’t just strictly coming from a lens of what’s happening with our wombs or with our uterus,.. [Abortion bans] have a trickle-down effect. People with low income have to bring in another child that they can’t afford. The point of the ‘Abortion Bans Are Racist’ campaign is to make sure the conversation isn’t just about abortion… but how does this further create disparities within our communities?”. Additionally, their campaign had researchers who predicted to them that with more people forced to carry out their pregnancy, this will result in increased risks in bad maternal health. As a Georgia-based news organization: Hunter points out how the state’s Black women are already three-times more likely to die from pregnancy-related complications than White women.

As of 2023, only three US states have the right to abortion in full status. These states being California, Michigan, and Vermont. 

I, like many others, find this decision from our Supreme Court to be disappointing and discouraging. This is a reminder that our country still has room for improvement regarding a human’s right. 

We cannot change the mind’s of every individual, but if we can show the Supreme Court the dangers to this passed bill, perhaps they can reconsider this injustice. 

Fortunately, we are not alone in this protest. As Kenya Hunter had discussed, URGE’s ‘Abortion Bans Are Racist’ campaign is just one of many groups fighting against this ban. 

 This isn’t based on a viewpoint that is politically-motivated, and with the harms that this ban is capable of as mentioned: it is unavoidable to point out its concerning flaws. Kaelea Lucas, the Georgia organizer for URGE, said it best; “The decision of what somebody does with their body and whether or not they are going to get an abortion ultimately should be between that person, family, and maybe a medical provider if that’s what feels comfortable to them,… But who should not be involved is the government. There should be no political reasoning for anything like abortion bans.” Banning the right to abortion sends the wrong message to so many. It silences voices, gives misinformation about clinics like “Planned Parenthood”, gives ignorance to the idea that “babies” are being “killed”, and drastically affects the Black community in health and finances. With this ban and absurd claims continuing to be established, we are going to do more harm than good toward women and their overall health. 

The Creativity in Restrictions

By Sam Ottinger

Getting into the arts can be a challenging quest, whether it’s getting the ideas or actually putting said ideas into the world. In this time of confusion, I believe that having a rubric of restrictions can be the support that lifts creativity to its highest form. Having a set of rules to follow can help ideas flow, it can be a more relieving position, and help the artist try new things.

Many can agree that one of the most difficult parts of the arts is creating the idea, yet when you have to work your way around certain things, then it can be an easier way to find the path that will lead you to a fall of ideas. Restrictions put in the building blocks, then the artist can complete the designed task, and after they are able to push certain aspects (that aren’t restricted) to make the piece their own. It can also help cut down on decisions that are put in the artist’s hands, so they don’t get overwhelmed and burned out as quickly by the overflow of creative ideas. As stated by Thomas Oppong in his article about creativity, on Inc., “With constraints, you dedicate your mental energy to acting more resourcefully. When challenged, you figure out new ways to be better.” Having a specific direction for where your energy can go can help you get more ideas and thus the artist goes through a slower decline in their ideas.

Instead of having total freedom and being surrounded by stress from blankness in the creative department, you are able to get a new point of view which can help you get a better understanding of different techniques for a new set of tools. Some may say that with restrictions, it can be difficult to fully shine because of the choices being so limited, and they aren’t entirely wrong. When creative rubrics are too restricting, it can lead to the same amount of problems that having too much freedom contains, extra stress to stay in the lines and lack of related ideas. It’s just like everything else, too much of anything is bad. Yet when these placements are done right, it can be extraordinarily beneficial for the artist. As said by Jason Bell, an Associate Professor of Marketing at Saïd Business School, “When well placed, constraints can force us to step out of our mental comfort zone and connect a schema to something new. This can very often lead to innovative ideas”.

Unclear directions and the fear of experimentation can hold many people back, including the need for near perfection is a craving that many artists, whether new or old, chase after for years. When using restrictions in your craft, it will give you clearer directions, help you be forced to try something new, and it can push you to slowly become ok with not reaching the status of perfect perfection. A batch of restraints can not only force you to try something new, it can also help you focus and create better ideas then you would have before. An article published by the official Harvard Business Review helps to support this claim by stating, “Constraints, in contrast, provide focus and a creative challenge that motivates people to search for and connect information from different sources to generate novel ideas for new products, services, or business processes”.

Women’s History Month 2023: Celebrating Storytellers 

By Lacy Blanton, Guest Journalist

March is upon us once again. With this, the annual events of this month include the highly-anticipated March Madness, the mournful (or celebratory) ending of winter, and the welcoming of spring.

Another special event arises during this time: Women’s History Month, an annual declared month that highlights the honorable contributions of women from our society. Each year within the United States, a distinctive theme is chosen by “The Women’s History Alliance”. Recognizing the diversity and different roles that women have played throughout history. 

This year’s theme is a very special one. That theme being “Celebrating Women Who Tell Our Stories”. Highlighting those who have dedicated their lives and been active through press, broadcasting, blogs, podcasts, playwrights, scholars, and much more.

I wish to recognize and honor the trailblazing female journalists, from yesterday and today, who have made and continue to create a potent bridge between women and the world of journalism.

Barbara Walters – (1929-2022)

Legendary broadcast journalist and television personality, Barbara Walters has been in the journalism world for remarkably over sixty years.    

After receiving a bachelor’s degree in English from Sarah Lawerence College, Walters would land a position in writing press releases for NBC network’s flagship station “WNTB-TV”, now known as “WNBC”. In 1961, she joined “The Today Show” as a researcher and writer, and later became the program’s ‘Today Girl’. Only handling light stories and discussing the weather. A time Walters herself described, when a woman discussing “hard news” wasn’t an idea that many took seriously. She broke that mold however in 1974 by being the first female co-host of a US news program.

By 1979, Walters had teamed up with Hugh Downs for “ABC”’s program “20/20” as correspondent and later co-host. Where she flourished until her eventual retirement in 2004. Seven years prior, she became the co-creator, co-executive producer, and co-host for daytime talk show “The View”, and later retired from her career as a noteworthy anchor and journalist in 2014.

Throughout the course of Walters’ career: she was most eminent for her interviews involving high-profiled individuals. Such as former US president Jimmy Carter and wife Rosalyn Carter, current Russian president Vladimir Putin, actress icon Lucille Ball, and ‘King of Pop’ Michael Jackson. She was also well-known in asking the most brutal of questions amidst interviews.

Barbara Walters passed away peacefully in her Manhattan home on December 30th, 2022. She was 93 years old. In death, she leaves behind a daughter, close friends, and a legacy of helping pave the way for future female journalists.

Belva Davis – 

Born in 1932, Belvagene “Belva” Melton-Davis is another phenomenal example of shaping the world of storytelling. She was the first ever African-American woman to be a television reporter for the US west coast, and worked as a radio broadcaster and news anchor for multiple stations.

Upon performing a freelance assignment for African-American magazine “Jet”, and receiving a mere $5 with no byline from it: Davis found herself writing pieces for other minority publications such as the “Sun Reporter”. 

Throughout the 1960’s, Davis worked radio stations across radio stations with “KSAN”, “KDIA”, and “KNEW”. She then ultimately landed a spot for “KPIX-TV” in San Francisco, where she was positioned for thirty years. 

Davis made herself recognizable for her coverages involving politics, race, and gender. As well as her calm, collected disposition. She has gone on to win eight “Emmy Award”’s and has been recognized by the “American Women in Radio and Television” and the “National Association of Black Journalists”.

Belva Davis is still alive and well today; having been retired since 2012. She cheerily lives in Petaluma, California with husband Bill Moore. She has two children with ex-husband Frank Davis. Despite her current age and reported diminishing memory, the journalism community still sees the versatile, talented woman who has ‘opened the heavy doors’ for so many. 

Juju Chang – 

Korean-born television journalist, Hyunju “Juju” Chang has created an impressive career for herself with backgrounds in “ABC News” and “Nightline”.

From Stanford University, Chang graduated with a bachelor’s degree in Political Science and Communications. After school, she began working for “ABC” as a desk assistant in 1984, and would later work for “ABC World News Tonight” as a producer and off-air reporter.

By 2009, Chang had made history in becoming the first Korean-American with an essential role in US morning news television through being a part of “Good Morning America”; where she was the news anchor and helped contribute news stories. She would eventually leave to work full-time for the program “Nightline”.

With her work-ethic and dedication, Chang has received numerous awards throughout the course of her career. Some of her achievements include the “Alfred I. DuPont”, multiple “Gracie’s” and “Emmy’s”, and a “Freddie” award.

Chang now lives on the west side of lavish Manhattan with husband Neal Shapiro (whom she has three children with), proudly continuing to serve as anchor for “Nightline”. She is an involved member of the Asian-American community as she is a founding board member of the “Korean American Community Foundation” and member of the “Council on Foreign Relations”.

Akoto Ofori-Atta – 

Proud co-founder and chief audience officer for the Black-led national news organization “Capital B”: Akoto Ofori-Atta is one of a kind in her work.

In her early life, Ofori-Atta earned her bachelor’s degree in Print Journalism from Hampton University, and received a master’s in Communication, and Culture and Technology from Georgetown University.

She would go on to become the associate editor and social media manager for “The Root” and hold the position of senior editor at “Essence Magazine”.

Before leaving to pursue further development of “Capital B”, Ofori-Atta was previously the managing editor for “The Trace”, where she took full accountability for partnerships, special projects, and editorial operations. She had also completed a John S. Knight Journalism Fellowship at Stanford University in 2015, focusing on issues regarding the Black press and diversity.

Today, Akoto Ofori-Atta continues to help “Capital B” flourish. Her “Instagram” account showcases the vibrant life she lives. Through promoting “Capital B”, sharing past heartfelt memories of friends and family, and pictures of her and the love of her life. She and her husband also share a beautiful baby girl together.

Shahrnaz Javid – 

Woman of words, wearer of all hats, vivid photographer, and traveling-dreamer: Shahrnaz Javid is no doubt a soul many people should aspire to be.

Born in Louisville, Kentucky and graduated from Jeffersonville High School in 2011, Javid’s background and story is one that touches many of us.

Upon graduation, Javid attended Columbia College Chicago to major in magazine writing and was under a scholarship when attending. In 2016, she graduated with a bachelor’s degree in Journalism.

Since then she has been involved in a number of enterprises as a writer and/or content creator. Several of her works include being an intern submissions editor for “Toksick Magazine”, a content creator for “The Times”, and currently holding the positions as a creative writer for “Unsaid” and contributing writer for “SVRN”. On top of that, Javid is her own boss as she is self-employed as a freelance writer and photographer.

Residing in Antwerp, Belgium with her husband and their beautiful little daughter, Shahrnaz Javid is very open about her career and life through her “Instagram” page. Upon reading and catching glimpses of her page, one can say it’s like a storybook come to life. Shots of urban European landscapes, eccentricities, lovely colors, and captions with words belonging to a poetry book. 

Shahrnaz Javid, like the rest of these outstanding storytellers, is someone who is beyond influential.

Reading and/or listening to all of their professional work is an absolute must. They are all a mix of talent, truth, and devotion combined. These five journalists did more than merely write. They created a story of their own that many more female storytellers will look up to.

The Repetition of Star Wars

by Sam Broady

Star Wars has been releasing a lot of content lately. You can watch it all on Disney Plus. But will you enjoy it? Do you like repetitive spinoffs that keep you attached to the past? Or do you like refreshing stories with new characters and expansive lore? I believe the writers should focus more on originality than formula. This was the great mistake of the Disney purchase in 2012. They continue to show their desperate merchandise intentions through all these films, series, games, and more. But Star Wars isn’t the only cash-grab franchise; that term applies to Marvel, Pixar, and the rest of Disney as well.

Let’s start with the sequel trilogy. Whether you enjoy it or not, there’s no denying its similarity to the original trilogy and its reliance on fan service. Disney didn’t plan a storyline, their writing was based on the audience’s reactions to each installment. For example, the amount of backlash that “The Last Jedi” received led to a retcon of everything in “The Rise of Skywalker”. Rey is a Palpatine instead of a nobody; Anakin’s lightsaber is fixed; Kylo has his mask back; and Rose is heavily sidelined. Fast forward to season 2 of “The Mandalorian”. The first season is its own story, but the next one is a festival of cameos from well-known franchise characters including Cobb Vanth, Bo Katan, Ahsoka Tano, Luke Skywalker, and R2-D2. Then there’s an animated series entitled “The Bad Batch”, a prime example of one cliche after the other. There are some good episodes, but most of them have no stakes and old characters are thrown into the story on occasion to keep us engaged. Next we have “The Book of Boba Fett” which is literally living in the past. There are cameos everywhere and Tatooine is an overused location that loves smashing familiar sites in your face. Which is one of the problems with the series “Obi-Wan Kenobi”. It’s nothing new; it uses shaky cam too often; and it’s the third time we’ve seen the protagonist care for a child.

There’s a pattern to be noticed here. Disney is relying too much on our familiarity with the franchise in order to get viewers. I think plenty of people would still watch their content if they took a new approach. “The Mandalorian” was the first Star Wars series on Disney Plus and it succeeded because it’s a standalone story with a completely different tone. But people don’t realize that. The final arc of “The Clone Wars” is in the top tier of television. “Andor” is such a bold take on the lore and it doesn’t feel like Star Wars at all. Clearly, Disney isn’t always lazy. “Rogue One” is a great film that tells its own engaging story without the Skywalkers. “Rebels” is a fun series with many meaningful moments such as Ahsoka’s duel with Vader and Kenobi’s confrontation with Maul. The point is that Star Wars needs to be more consistent with its quality. One day, it’s the same old content. The next day, it’s the best we’ve seen in a long time. The reason Star Wars became popular in the first place is because it was something no one has ever seen before. It’s an exploratory adventure with memorable characters and iconic imagery that blew everyone’s minds with the ambition of its filmmaking. Now, they need to continue building off of that.

The other Disney projects have the same issues. The Marvel Cinematic Universe is even more formulaic and I cannot stand how unoriginal the majority of its installments are. They’re typical superhero stories with an overuse of poor CGI. Again, not all of them are like that. It mostly applies to Phase 4 and the amount of content released isn’t helping. They need more time to craft thoughtful and passionate projects. Pixar isn’t necessarily in the same boat, but even their films have a tiring formula at this point. Sure, each installment has its own creative premise and execution. But they all have very similar messages. Whether they’re about life, family, or friendship.

The moral is that people don’t like seeing the same thing over and over. We only pay to do so because we expect something from franchises that we fell in love with. Writers like Dave Filoni, Jon Favreau, and Rian Johnson need to stay in the business because they have bold takes on storytelling in Star Wars. Dave Filoni dove so deep into the lore of the universe; Jon Favreau crafted an original and immersive western story; and Rian Johnson wasn’t afraid to take a trilogy into a new direction. I believe techniques like those are what’s most important.

Speaking Out on “The Poet X”

By Lacy Blanton, Guest Journalist

Image: HarperCollins Publishers, 2023

“Even with the tambourine and festive singing, these days, church seems less party and more prison” is one of many quotes and themes from the ingenious book “The Poet X” that simply took my breath away through amazement. 

“The Poet X” is a 2018 young adult novel written by Harlem-based author and poet Elizabeth Acevedo, published by “HarperTeen”. 

The story follows fifteen-year-old Dominican girl Xiomara Batista living in the vibrant city of Harlem, New York. A land home to thousands of Afro-Latino identities, and its culturally rich street life that her overprotective Mamí shields her from. Xiomara (who also goes by “Xio” or “X”) hides the beautiful talent of her writing in a notebook. In it, she lyrically pours out her thoughts and documents the struggles in her daily life. These struggles include frequent sexual harassment from men, questioning the authenticity of her birth-religion and Mamí making that freedom of choice difficult for her, and her confused feelings after a blossoming crush on a boy at her school. X discovers and is captured by the Black-based culture of slam poetry, which she begins to explore within her notebook. Living in a world where people try to keep her silent, X learns the power of her poetic words and fights for them to be heard. 

A feature that makes this novel compelling is how it is written from an in-verse perspective. Each chapter is reminiscent of a page from a notebook, and almost every chapter is a poem that documents X’s life. Each poem or “entry” has a style that is easy-to-follow. They’re typically short but powerfully clever nonetheless. (A huge plus for those who struggle paying attention when reading.) Other details are that each chapter is dated to a month and a day of the week. All of this helps create an atmosphere that you’re truly immersed into X’s world, that you really are reading the notebook of an impressionable but talented teenager. And with that, rooting for the main character feels essential. The shockingly realistic plot and brutal honesty is also an immense factor to the novel’s merit. The summary given above are just several of the many heavy topics that the story tackles, but all are dealt with in a respectful and believable fashion. The novel is loaded with memorable quotes that’ll make readers’ fingers snap and go “mmm” with their mouths, most likely linked to the straightforwardness. As X and her family are Latinx, there are several chapters or phrases completely written in Spanish. Additionally helping the novel contain a piece of realism and have the readers feel even more immersed in the protagonist’s culture. Above else, the message of speaking out was the true shining star. Acevedo didn’t just write this book, she made this with true love and passionate words. 

I, like many reviewers that have marveled over this book, are touched by this story. X’s passions, struggles, and life holds a mirror to mine. Not only as a person of color, high schooler, and twin, but also as a writer and poet wishing for my work to be heard. 

Since its release, many schools across the US have outright banned the book for its inclusive themes of sexuality in adolescence, and claims of it being ‘anti-religious’ and having ‘alternative beliefs’. What these schools fail to realize is that “The Poet X” was not written for controversy, spectacle, or shock. It is a daring book that tells the real lives and situations of numerous individuals. From a current teenager’s coming-of-age to a grown adult who had similar experiences to X’s growing up. Acevedo’s central message about the power of voice alongside the art that is slam poetry within this story is a message for all to hear. It is absolutely going to save and inspire many.

In Remembrance Of: Prominent People Lost in 2022

By: Madison Pritchard

Vivienne Westwood: 1941-2022

Vivienne Westwood was a force to be reckoned with during her successful career in fashion. She got her start in 1965 after meeting and moving in with Malcolm McClaren. Together, they opened a vintage fashion stall called Let It Rock. Here, Westwood began to design and create clothing based off of ideas McClaren had. The designs were representative of the “normal” style of the time, which often included very bold and promiscuous slogans or graphics. These articles of clothing were immensely successful within the punk youth demographic in Britain, however, they garnered negative attention from the more conservative right-wing reporters.

Eventually, Westwood and McClaren parted ways in 1986 and Vivienne began her own brand, Vivienne Westwood, which stayed true to her unique and extravagant roots. Here she became a household name because she was never afraid of being too bold or too brazen with her designs. Her influence on the fashion world is forever remembered as an important one for the strides she took to make a difference. 

Stephen “tWitch” Boss: 1982-2022

Over his lifetime, Stephen “tWitch” Boss developed impressive skills in acting, producing, choreographing and dancing. In 2008, he was on the hit TV show “So You Think You Can Dance” and ended as the runner-up contestant. During this season, he performed a dance titled “Mercy” with fellow contestant Katee Shean that earned them a choreography award nomination from the 61st Primetime Emmy Awards. In following seasons of SYTYCD he participated as an All Star dancer. 

He became the guest DJ on “The Ellen DeGeneres Show” in 2014, and then in 2020 became a co-executive producer of the show. He also starred in the “Step Up” movies of 2010, 2012 and 2014 as character Jason Hardlerson. Then in 2015 he acted in “Magic Mike XXL”. In death, he leaves behind his wife, fellow SYTYCD contestant Allison Holker, their three children, and a loving fanbase who know him as a lighthearted, hardworking, and devoted man. 

Irene Cara: 1959-2022

Popular songstress and actor from the 80’s, Irene Cara worked on a multitude of projects that earned her claim to fame. One of her most popular songs being the title song “Fame” from the 1980 musical film of the same name, where she played Coco Hernandez. The song rose to number 1 on music charts from multiple countries, earning her a spot in mainstream music. Then in 1983, she sang the song “Flashdance… What A Feeling” from the film “Flashdance”. This performance won her an Academy Award for Best Original Song and the Grammy Award for Best Female Pop Vocal Performance. 

Later in life, she voiced Snow White in the unofficial sequel to Snow White and the Seven Dwarfs, Happily Ever After, and also appeared as Mary Magdalene in the musical tour for Jesus Christ Superstar. After these jobs though, she never was able to go back to the level of success she had once reached, and began to slowly drift away from the limelight. 

Takeoff: 1994-2022

Kirshnik Khari Ball, or more commonly known from his professional name Takeoff, was one-third of the critically acclaimed rap trio, Migos. Made up of his uncle, Quavo, and cousin, Offset, they first hit the hip hop scene in 2008. But only in 2013 did they begin to garner attention for their work after the release of their single “Versace”. Their first number 1 hit “Bad and Boujee” was what really pushed them to the forefront of the rap genre.

Migos’ second and third studio albums “Culture” and “Culture II” both debuted at number 1 on Billboard 200. Soon after in 2018, Takeoff announced an upcoming solo album titled “The Last Rocket”. In October 2022, as his final project, Takeoff released a collaborative album with Quavo named “Only Built for Infinity Links” in the month leading up to his death. 

Because of his important contributions and impact he had on the hip hop genre, the public commemoration of his life entitled “Celebration of Life” amassed over 20,000 attendees.

The Weird Obsession with Marilyn Monroe

Written by Madison Pritchard

T-shirts, mugs, blankets, posters, figurines, and dolls. These are all merchandise items you can find with Marilyn Monroe’s name, face, or features plastered all over them. She has dominated the pop culture scene for well over seven decades, and there seems to be no sign of stopping that trend anytime soon. But what really prompted her ever-lasting popularity and her staple reign in pop culture?

Marilyn, born Norma Jean Mortenson,  was your classic rags-to-riches story. She was  born in Los Angeles and in her early life she  went from foster home to foster home. Marilyn  married her first husband at sixteen and started  her first job. While working, she was scouted and  began a new career as a pin-up model and acted  in a multitude of short-films.

The public’s fascination with Monroe began back in the 1950s with her iconic roles in the films “Gentlemen  Prefer Blondes”, “The Seven Year Itch”, and “Some  Like It Hot’’. Along with her feat of becoming  Playboy’s first cover girl, and being crowned the “Sexiest Woman of the Century”  by People  magazine. She is also widely known as a leading and revolutionizing sex symbol of the fifties.

Her original boom was her cover on  Playboy Magazine. What many don’t know is that this was a non-consensual act on owner Hugh Hefner’s part. She had originally posed nude for a calendar company out of “desperation” in which she made reportedly $50. The photos were eventually sold  to Hefner for $500 dollars, which kickstarted his Playboy empire while Marilyn got none of the  profits.

Marilyn is one of the most  successful examples of using an on vs. off screen  persona. So while these two personas were  different, they shared a lot of the same qualities.  Like her sense of literal humor. This prompted critics to claim that she was just acting as herself,  instead of stepping into a new character. Her roles in Hollywood were consumed  by the “Blonde-Bombshell” typecast and sexist  stereotypes. In most of her movies she is depicted as a young ‘hopeless’ girl who eventually gets with a wealthy and sophisticated man. Marilyn’s acting career was often looked down upon by critics who criticized her for relying on her attractiveness, rather than acknowledging the fact that Marilyn was actually an intelligent and professionally trained actress who would make fun of the characters she played.

Into her personal affairs, Monroe was  married three times, divorced three times. It was  also highly speculated that she was in some sort of  relationship to former president John F. Kennedy.  This only added more allure to her persona. It left many people wanting to know more about this public,  but also private figure.

Unlike many golden-age Hollywood  starlets like Lucille Ball, Elizabeth Taylor, or Eve  Arden, Monroe never had the chance to grow  old and age. So, fast forward to her untimely  death in 1962, when she was in her mid thirties.  She passed, and was left forever-36, a young and  beautiful woman frozen in time, never to grow  out of the image people already had of her.

Her early death plays a huge role in her  long-time fame. It left people able to dehumanize  her, because she, physically, never changed. Just  an unaging sex symbol. It begs the question of  morality in the case of famous figures. She also  never seems to have been able to rest, even after  death. She also was never given credit for her  incredibly successful career.

After her death, her estate was given to  her acting coach, Lee Strasberg, who eventually  passed, and then the estate was given to his then wife, Anna Strasberg, who is assumed to  have had no connection to Marilyn other than  through Lee. Anna eventually sold Marilyn’s  estate to CMG Worldwide in 1994, which is how large corporations gained access to  the ability to create merchandise and make  immense profits off of Monroe.

Despite her career, most people have seen or known about Marilyn before even watching her films. Her face is plastered on merchandise and is included in in random advertisements that have no  connection to her or what she stood for. Popular moments that reference or imitate Monroe span from even the earliest moments after her death to now, in 2022. For example, the 1980 Chanel No. 5 perfume commercial where Carole Bouquet  literally turns into Monroe is a little freakish to watch. Or Madonna’s recreation of Monroe in “Diamonds Are a Girl’s Best Friend” for her 1984 “Material Girl” music video that hit the nail right on its head. And even to the 2017 burial of Hugh Hefner next to Monroe, even  though they never actually knew each other, as Hefner revealed in a 2012 interview with CBS News,  stating  that he felt a connection to her because of her  significance to the popularity of Playboy. Or even most recently, the controversy surrounding  Kim Kardashian wearing Monroe’s “Happy  Birthday Mr. President” dress to the 2022 Met  Gala.

Even now, people still want more of her. The biopics and biographies, merchandise, or  recreations of her work in film are still copied and multiplied year  by year. Ironically, she is likely more scrutinized now than she was when she was alive. People need to leave her alone, and let her rest. Let the fascination of Marilyn Monroe die with her, one last time.  

Nov. 2022


Student Opinions Vary on the COVID -19 Vaccine Despite Proven Effectiveness

Story by Raquel Lopez

Like many other issues in theUnited States, COVID-19 vaccines have become divisive and politicized. Additionally, with the Pfizer vaccine being fully approved by the Food and Drug Administration (FDA), the possibility of vaccine mandates in public spaces is increasingly becoming a reality.

Currently, all evidence points to the conclusion that the vaccines are both safe and effective. Studies by the CDC show that all approved vaccines provide strong protection against COVID, including the delta variant of the virus. According to theCDC, unvaccinated people are 29 times more likely to be hospitalized with COVID than their fully vaccinated peers.

At JeffersonvilleHigh School, while vaccines are not required, they are recommended. At the time of this publication, the policy has recently changed. When school initially started, vaccinated students were not required to quarantine if they were asymptomatic and had proof of vaccination on record; on the other hand, unvaccinated students would have to quarantine for 14 days, regardless of whether they tested positive or negative. On Aug. 24, Greater Clark County Schools announced that the quarantine time could be decreased to eight days if the student had proof of a negative test result. On Aug. 31, following the Indiana Department of Health guidelines, schools were no longer required to contact trace if a student were to test positive regardless of vaccination status.

Meanwhile, views on COVID vaccines vary among Jeff High students. While there are students who are clearly for or against vaccination, some students are undecided. Senior Claire Storz is pro-vaccination. “I always hear or see the numbers of deaths due to COVID and I want people to get vaccinated so we don’t have to lose loved ones. Or so I don’t have to hear people complaining about the mask mandate. I highly encourage it [getting theCOVID vaccine], especially if someone they know is immunocompromised. It can help protect them as well”

On the other hand, Senior Vaughndez Banes is against the COVID-19 vaccine. “I feel like theCOVID vaccine was rushed and I personally had COVID and I was sick like a lot of other people but it never got too bad,” Banes said, before adding, “and knowing the COVID vaccine won’t prevent COVID, only help with symptoms just isn’t enough to push me over the edge.”

In California, students attending Los Angeles Unified Public Schools are now required to be vaccinated by the end of the calendar year, according to CNN. Banes says that if vaccinations were to be mandated in Greater Clark County schools, he would transfer schools. “The way I see it is, if your mask works so well, why are you worried about mine. Same thing with the vaccine,” Banes explains.

Freshman Savannah Monroe is in the middle of the debate, supporting them in certain circumstances. Monroe explains that she feels as if maybe they were developed too fast. However, she also said, “But I definitely think a vaccine was needed due to the rising cases. But overall, I’m for the vaccines but I think they [scientists and the government] should prove the effectiveness and safety to convince the public to get them”