By Lacy Blanton
“Elemental” (2023) is the newest animated film produced by Disney and Pixar. Although marketed for young viewers, the film has two adult stories to share: one of romance and the other of immigration.
In a world where the four natural elements (Fire, Water, Air, and Earth) are the anthropomorphic inhabitants comes Ember Lumen: A young Fire woman who’s the daughter of “Fireland”-immigrants, living tucked away in Firetown, a district of Element City. Her family and culture mean everything to her – evident through her goal of becoming the next owner of her aging father’s convenience store. Just when she believes her future life is all figured out, Ember meets an unlikely friend (and her very unlikely Prince Charming), Wade Ripple: a young Water man, through certain circumstances. Their relationship may appear to look doomed from the start as the societal belief of Element City is that “elements don’t mix”, but that idea may be challenged as Ember and Wade grow closer as friends, and even a little more than that.
One of the main highlights that can draw any person into watching the film is its animation. Almost every scene was beautifully colorful; from the backgrounds, locations, and character designs. The greatest comparison of its style is of a watercolor painting – vibrant, fresh, yet so calming. Its shimmering flair never grew too overwhelming for the eyes to see and multiple scenes had something new for viewers to see, such as the Lumen’s bustling convenience shop, the ‘Cyclone Stadium’ and Brook Ripple’s (Wade’s mother) aquatic luxury penthouse.
The character designs were remarkably impressive by how much their movements were reminiscent of their real-life counterparts. The artists and animators truly embraced the concept of the characters being their respective elements in scenes of having them display their own unique abilities, to how they can struggle or benefit from another elemental force.
Both stories of Ember’s family, and the love story between her and Wade balance with each other. Impressively, they even intertwine at times. The Lumen family’s struggles and resiliency as Fire people residing in Element City is a reflection of what many real-life immigrants in our everyday world experience. It’s something insightful and inspiring to see.
As an animated movie: was it a rom-com, and was it romantic? Very much so! Wade and Ember had an adorably wholesome relationship thanks to their chemistry, appreciation for each other, and willingness to help lift one another up. Wade intuitively goes out of his way to make Ember happy, and the latter is always attempting to protect him from her parents’ distrust toward Water people. Being of different elements: the couple is a perfect metaphor of an interracial couple – It has its difficulties, but they make it work out of means of true love.
The film had a way of making the audience feel for the main characters. All you wanted was for Wade and Ember to be happily together without any challenges, and for Ember to have the best of both worlds with her parents, career, and her newly found love.
Peter Sohn, the director, was inspired to create “Elemental” based on his own personal experience of being born to Korean-immigrant parents in 1970’s New York City. To hear such an inspiration that originated from childhood is a highly vulnerable yet special thing. When watching the film, you could feel the love that Sohn had poured into it with scenes or background information on the Lumen’s being native to Fireland.
Around the time of its release, “Elemental” received generally positive reception, with merely a few mixed reviews from critics; praising the picture for its visuals but pointing out how the storytelling felt underwhelming – a very unusual detriment for a “Pixar” flick. While it doesn’t live up to the sheer masterpieces of “Wall-E”, the “Toy Story” franchise, “Finding Nemo”, or even “Soul”: “Elemental” is still an enjoyable, heartfelt picture that tells a mixed but balanced story of an opposites-attract romance, the importance of family and their sacrifices they make. No matter any accusations of “underwhelming” storytelling from critics: the vibrant animation, endearing lead characters and their bond, and the director’s inspiration outway such criticism.
As a self-declared “Pixar” fan: this wasn’t a definite favorite film from the company’s collection, but nonetheless, a charming picture that one can hold dear to them for a long time, and that can be most likely said the same for Peter Sohn.
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