Review: ‘Dragonball’ movie combines stunning visuals with well-written characters

by Keegan Fountain

A monster, a beast, Dragon Ball Z’s devil, Broly the legendary super Saiyan. 

Even if you’re not a Dragon Ball fan, chances are you’ve heard of Broly. He was first introduced on March 6, 1993, in the movie: “Dragon Ball Z: Broly the legendary super Saiyan.” He was introduced as this huge, menacing villain that was a threat to even the likes of Goku. However, his character was rewritten to fit a new movie that released Jan. 16, 2019, titled: “Dragon Ball Super: Broly.” In this review, I’ll go over both the change with this new Broly, and how he contrasts the old one.

When the movie starts, we’re placed on Planet Vegeta. We meet many characters — King Vegeta, Frieza, Bardock — but who we want to focus on is Broly. He was only an infant, but displayed immense power. To protect both his planet and his pride, King Vegeta sends Broly off to another planet, Vampa. Broly’s father, Paragus, steals a spaceship and flies after him, finding and training his son for 40 years due to them being stranded. 

After Frieza makes a move and steals 6 of the 7 dragon balls from Goku and the others, they track the last one down to intercept Frieza and his soldiers. However, that’s when they meet Broly, and Paragus immediately recognizes Vegeta as Prince Vegeta’s son. He sends Broly after him, and there’s a huge fight with Vegeta and Goku versus Broly, each of them pushing their limits and going through multiple forms. The fight eventually ends with Goku and Vegeta fusing into Gogeta, defeating Broly before he is ultimately teleported back to Vampa. Goku befriends a calmed down Broly and that’s where the movie ends.

This movie is beautifully written. The visuals are stunning, the characters are extremely well written, and I can never stop admiring the story in this film — it always makes me smile.

Another nod to an old Dragon Ball Z movie, the fusion Gogeta was first introduced in the 1995 movie: “Dragon Ball Z: Fusion Reborn,” where Gogeta was made to defeat Janemba. They both share similar characteristics, despite Gogeta being more serious in his first appearance, so I won’t stay on him.

The differences between Z Broly and Super Broly are obvious. Z Broly is more one dimensional and flat, while Super Broly is much more developed and characterized. Z Broly was made purely for the instance of having a villain stronger than Goku, and that’s evident in his size and muscle mass. However, Super Broly was made to turn Broly into a more deep and sympathetic character. He is soft spoken, honest, kind, and only fights with Goku and Vegeta because his father wants (and forces) him to. There’s a moment near the middle of the movie that really shows Broly’s difference in the two versions of him.

After Broly and Paragus are found and rescued by Cheelai and Lemo, Frieza Force soldiers, Cheelai offers Broly proper food. Broly takes it and scarfs it down, but after which he is reminded by his father to use his manners. He thanks Cheelai, and even tries to replicate her little thank-you gesture she does. It’s also shown at the end when Goku befriends Broly. Broly doesn’t attack Goku at all, letting him speak and even smiling as he leaves.

This movie is a beautiful representation of the difference between two versions of one character that can be made. It also shows the symbolism between Dragon Ball characters. The world of Dragon Ball is met by two kinds of characters, good and evil. Without the good, the evil takes over and tips the scale, and if there’s no evil, vise versa. Broly perfectly shows this, because good and evil of him exist, both movies showing what could happen if he is good or evil. What I’m trying to say is, Broly perfectly encapsulates the path characters in Dragon Ball can go — they’re either Goku’s friend, like Vegeta, or his enemy, like Frieza.

This movie is beautifully written. The visuals are stunning, the characters are extremely well written, and I can never stop admiring the story in this film — it always makes me smile.

Movie title: Dragon Ball Super: Broly

Starring: Christopher Sabat, Vic Mignogna, and Sean Schemmel

Director: Tatsuya Nagamine, Kazuo Ogura (Art director), and Naohiro Shintani (Animation director)

Writer: Akira Toriyama

Rated: PG

My Grade: A

Platforms to watch: Disney Plus, Hulu, and Crunchyroll

Review: Buca di Beppo provides a taste of Italy with a side of nostalgia

by Emma Parker

Regarding family-style dining, Buca di Beppo is a name that often stands out. Known for its vibrant atmosphere and hearty Italian-American dishes, this restaurant promises a ballad of flavor nostalgia, and communal dining. But does it truly deliver on its reputation? I visited Buca de Beppo, and here’s what I discovered.

Buca di Beppo: A Taste of Italy with a Side of Nostalgia

Buca di Beppo is a restaurant that knows how to make an impression from the moment you walk through the door. With its warm, inviting ambiance and quirky décor that celebrates Italian-American culture, it’s the kind of place that feels like stepping into the home of a big, boisterous Italian family.

Ambiance

The décor is over-the-top, with walls covered in vintage photographs, posters, and eclectic knickknacks. Strings of lights and checkered tablecloths create a fun, nostalgic vibe. The layout features family-style dining rooms and even a “kitchen table” for those who want a behind-the-scenes experience. While the atmosphere is lively and vibrant, it may feel noisy for those seeking an intimate or quiet dinner.

Service

The service is friendly and accommodating, with staff members eager to explain the family-style menu concept. They are attentive without being overbearing, ensuring drinks are refilled and dishes arrive promptly.

Food

Buca di Beppo specializes in Italian-American classics, and their portions are designed for sharing. Here’s a breakdown of some highlights:

• Appetizers: The Fried Mozzarella and Bruschetta are crowd-pleasers. The mozzarella is perfectly crispy on the outside, gooey on the inside, and paired with a robust marinara sauce.

• Pasta Dishes: Their Spaghetti with Meatballs is a signature dish, and it doesn’t disappoint. The marinara sauce is tangy and fresh, while the meatballs are tender and flavorful. The Fettuccine Alfredo is creamy and indulgent, though it can be a bit heavy for some palates.

• Entrées: The Chicken Parmigiana is a standout, with its crispy breading and generous layer of melted cheese. The Eggplant Parmigiana is also a great vegetarian option, though it leans on the richer side.

• Desserts: The Tiramisu and Chocolate Chip Cannoli are decadent and satisfying, making for a perfect sweet ending.

Family-Style Concept

The family-style dining experience is both a strength and a potential drawback, depending on your party size and preferences. Large groups will love the communal feel, but smaller parties may find it challenging to justify ordering multiple large dishes.

Price

While the portions are large, the pricing can feel a bit steep, especially if you’re dining with a smaller group. However, for the quantity and quality, it’s a reasonable value for those looking to indulge.

Overall Experience

Buca di Beppo is a fantastic choice for celebrations, family gatherings, or casual dinners where you want to enjoy hearty Italian comfort food in a fun, lively setting. While the noise level and portion sizes may not suit every diner, the restaurant’s charm and bold flavors make it a memorable dining experience.

Rating: 4/5

Review: Metaphor: ReFantazio is a step above the gaming competition

by Sarah Jacobs

The 2024 Game of the Year Awards was a tough contest. Three of the best games I’ve played in a long time were nominated for the prestigious title, but one stood above the rest: Metaphor: ReFantazio.

Although it didn’t win Game Of The Year 2024, Metaphor: ReFantazio won multiple awards at The Game Awards 2024, including Best Narrative, Best RPG, and Best Art Direction. It is critically acclaimed for its beautiful art style and story.

The king’s assassination is causing anxiety in the kingdom because he is assumed to have no heir. Unbeknownst to the public, the prince was put under a curse many years ago. He is alive, but he has been unconscious since the curse was cast. A good friend of the prince, Will, and his closest confidant, Gallica, are tasked with finding a way to reverse the curse and return the prince to the throne. At the royal funeral, the late king’s magic manifests as a stone island large enough to block out the sun bearing his face. He announces that the people will decide on the next king. Will decides to win the throne in the prince’s place.

Characters and their arcs are handled beautifully by this game’s narrative. The world feels expansive, and it’s easy to get invested in the problems facing this world.

It won Best Art Direction at The Game Awards 2024, and it earned that title. The menus take on a painted style. The art and character designs are visually stunning. The mix of 3D and 2D makes the visuals compelling throughout the entire experience.

The cast is easily one of the most likable. The party includes characters from a variety of fantasy races, and their race and upbringing play an obvious role in how they see and interact with the world.  

The voice acting in this game is one of the most impressive aspects of the game. The English voice cast features largely unknown actors, each of whom excellently brings the characters to life. The variety of accents creates the impression of a vast world.

Metaphor: ReFantazio is a step above its competition in the JRPG genre. Few other games have gripped me in the same way. I highly recommend anyone who is a fan of JRPGs check it out.

Review: Mall St. Matthews is still a place to go for fun

by Miranda Flores

Bright lights, dozens of different aromas, and chatter all around. From the early 80s to the late 90s, malls were the place to hang out with friends. From grabbing a bite to eat to shopping for clothes and electronics, the mall was the place to go.

With the rise of online shopping and social media, the need for in-person shopping drastically declined, along with the popularity of malls. This raises the question: Are malls still popular?

Saturday is the busiest day for Mall St. Matthews in St. Matthews, Kentucky. With over 150 different stores, it is no wonder so many people want to visit. 

The smell was the first thing that hit me after walking through the automatic sliding doors leading straight to the food court. My boyfriend, two friends, and I arrived around 11:30 a.m., only 30 minutes after the store opened. I was surprised to see that there were already dozens of people there sitting down and enjoying their food. 

Looking around I was drawn in by the free samples the employees were passing out. I only tried two samples before I knew what I wanted to eat. The large portion of sweet and tangy orange chicken and the vegetable lo mein from Chinese Gourmet Express was delicious. It was hot and fresh and it only took about two minutes for my order to be completed, including the time it took for me to be rang up and checked out. The staff was also very nice and the food was cheap. There were many places to sit in the food court and it was spotless. 

After we finished eating we visited numerous stores. The St. Matthews Mall has a wide variety of stores and all kinds of merchandise. They even have places that can fix your watches, jewelry, and even your phone all while you shop. We went to the smaller stores, which surprised me with the amount of stuff they were able to keep inside. 

Each store we went into had clothes and toys all up and down the walls. I had trouble getting things down because they were just out of reach, so I had to have my boyfriend hand me the clothes that I wanted. This was a bit bothersome, but it is something that I have to deal with in most stores. Some of the stores were so small that they felt very cramped and packed in, especially some of the more popular ones. 

Walking through the mall itself it was wide and open with enough room for everyone to spread out and walk around. Surprisingly the lights weren’t blinding and they had a few large skylights instead. The St. Matthews Mall has a lot of interactive areas for all ages such as a large lifesize chess board with moveable pieces built into the floor and the indoor water fountain where people toss coins into. There are even designated areas for children and tots to run around and play. The mall has both stairs and ramps for easier access for families with strollers and wheelchairs.

One main issue that I had was the bathrooms being hard to find and they were extremely smelly. Large signs were hanging from the wall that said “restroom,” but they were hidden behind other shop signs, and the restroom itself was down a very dim and hardly lit hallway. I was scared that I was in an “employee’s only” area, but then I stumbled across the restrooms. When I opened the restroom door an intense odor of urine hit me and it was so bad that I was turned away from the bathroom altogether. 

Luckily there were multiple other restrooms around that were much cleaner without any bad odors. A good thing about the restrooms is that they have a family room along with other full restrooms that also allow for more accessibility.

Around 3 p.m. more people had shown up and it was getting hectic, so we headed back to the food court for one last time. There, an employee from King Gyros, a Greek restaurant, was passing out samples of their lamb. Once again we fell in love with the sample and decided to get it to go. My boyfriend and I chose to get the lamb platter to share, which came with rice and a creamy tzatziki sauce smothered over the top. The to-go box was heavy from the amount of food they packed into it and we left very satisfied.

The overall experience of visiting Mall St. Matthews left me wanting more. I loved the food, the clothes, and the experience, which is why I have no doubt the store is so popular. I am eager to return and visit the other stores I have yet to see and I highly recommend going out and visiting for yourself.

Review: LEGO sets can be a fun hobby for collectors

by William Hudgins

LEGO has hit varieties of different age groups. People play with them or have them as collector’s items. Whatever you do with them, they are an amazing item to make your life fun. 

LEGO began in 1934 in the carpentry workshop of Ole Kirk Kristiansen, a skilled carpenter who made wooden toys. Kristiansen prided himself on high quality craftsmanship. He eventually chose the LEGO name for his company, wanting to focus on child development through quality play.

Ever since then, LEGO has become one of the most popular hobbies in the world. It is truly amazing, because you can build or collect what you want to collect. 

LEGO has many different options to choose from based on your interests. The most popular sets include Icons, Ideas, and Star Wars. Star Wars partnered with LEGO back in October 1999, and ever since these sets have been a hit. 

When you see people’s collections, you’ll see many Star Wars sets. There is a reason for this: they are just great sets to keep sealed or on display. They have over a thousand retired or new sets. Some popular ones include the Millennium Falcon, R2-D2, Luke Skywalker’s Landspeeder, and many more. Star War sets are truly such great sets to have; heck, I wish I had some. 

LEGO Ideas launched in 2014, with the first set being called Shinkai 6500 Submarine. To become a LEGO Ideas set it needs 10,000 votes, and then LEGO will look at it to see if they want to make it. These sets are truly great, and most of the sets relate to real TV shows or movies, like the Winnie the Pooh set or The Office. If you are wanting to get into LEGOs, you definitely need to pick up an Ideas set. I highly recommend the Winnie the Pooh set, as it’s incredible to have on display. 

LEGO Icon released in 2010, with only 142 sets available, where most sets came out in 2024. Ideas and Icon sets are more expensive, but they are really worth it. This brand has to be my favorite, because they have many really cool sets, like the Atari 2600, Optimus Prime, Bumblebee, McLaren MP4, and more. If you were to get a set, this is really where you get one; they are just fantastic sets. 

When a LEGO set retires, it’s possible that that set could go for thousands of dollars. LEGO collection is a great way to make money. The set’s lifespan lasts up to three years before it retires. If it’s in good condition, it’s worth more, and if it is open it’s worth less. The most expensive set ever is the San Diego Comic-Con 2013 Spider-Man.

If you are wanting to get into a hobby, choosing LEGO isn’t a bad way to go. 

Liverpool FC: A Journey with the Reds

by Quadri Gbadomosi

My favorite club Liverpool FC, known as ‘the Reds,’ has a rich history that spans over 120 years.

Founded in 1892, the club has become a symbol of excellence in the world of football. With passionate support from fans and a commitment to the game, Liverpool has seen numerous triumphs, including multiple league titles and Champions League victories.

This review explores the key elements that define Liverpool FC’s legacy, including its historical successes, recent performances under management, and the unique culture cultivated by its fans.

Historical Background

Liverpool FC has a storied past marked by the likes of Bill Shanky and Bob Paisley, who paved the way for the club’s success. Shankly transformed Liverpool into a dominant force in English football during the 1960s, while Paisley carried on the club’s legacy, securing multiple championships. Fans remember these iconic moments, which established a winning mentality that resonates to this day.

Recent Performances

Under the leadership of Jürgen Klopp, who took over in 2015, Liverpool FC has experienced a golden era. The club won the premier league in the 2019-2020 season after a 30-year wait, along with the UEFA Champions League title in 2019. Klopp’s tactics focused on intense pressing and pressing play, having revitalized the team, making them a force to be reckoned with in natural competitions.

But recently, the discussion around tactics has shifted with the interest in emerging managerial talent, particularly Arne Slot, who has gained a reputation for his innovative strategies while managing Feyenoord. Though not directly at Liverpool, his approach to developing young talent and playing attractive football lends itself to how clubs like Liverpool can evaluate managerial styles in the future.

Fan Culture

One of the most remarkable aspects of Liverpool FC is its vibrant fan culture. The famous anthem “You’ll Never Walk Alone (YNWA)” echoes through Anfield, fostering a deep sense of community, unity and passion among supporters. We the fans not only celebrate victories, but also stand by the team during tough times, creating an atmosphere that is unique to Liverpool.

Conclusion

Through its rich history, a commitment to excellence, and a strong fanbase, Liverpool FC continues to leave a significant mark on the world of football. As the club moves forward. It embraces a legacy that inspires both current players and future generations. The journey with the Reds is not just about the trophies won, but it is about the lasting impact on and off the pitch. 

Liverpool FC remains a platform that promotes unity and inspiration and will continue to remain such as the club progresses.

Column: David Lynch made us question the nature of life itself

by Tyler Anthony

David Lynch: 1946-2025

David Lynch’s cinematic journey stands as a beacon of astounding creativity, one that upends conventional narrative structures and delves deep into the subconscious. The legacy of Lynch is not one of straightforward storytelling but of visceral exploration — an investigation into the fragility of the human mind, the intersection of dream and reality, and the unsettling presence of evil in the most seemingly banal spaces.

Lynch’s filmography — spanning over four decades — is defined by an unwavering commitment to the surreal and the unsettling. 

“Eraserhead” (1977), Lynch’s debut feature, set the tone for his career: a nightmarish, industrial landscape full of unsettling imagery, where the line between horror and absurdity is perpetually blurred. It is a film that rejects traditional narrative coherence, instead opting for mood and atmosphere that tap into primal fears. 

From the strange, awkward, and seemingly benign characters, to the grotesque imagery of the mutant child, Lynch forces his audience to confront the unknown and the unnerving forces lurking beneath the surface of everyday life.

The television series Twin Peaks television series, which first aired in 1990, only solidified Lynch’s place in the pantheon of modern filmmakers. It blended soap opera tropes with a deep exploration of existential dread, creating a show that was as addictive as it was enigmatic. The mystery of Laura Palmer’s death was only the surface of a much deeper narrative — one that confronted ideas of duality, the nature of evil, and the loss of innocence. The surreal, dreamlike sequences of the Red Room and its iconic inhabitants, like Bob and The Arm, remain some of the most iconic and haunting images in television history.

Lynch’s films “Blue Velvet” (1986) and “Mulholland Drive” (2001) further expanded his exploration of the darkness lurking beneath the shiny surfaces of suburban and Hollywood life. 

“Blue Velvet,” in particular, exemplifies Lynch’s knack for juxtaposing beauty with horror: the image of a pristine, picturesque suburban neighborhood shattered by the sadistic Frank Booth, whose violent rampage through the American dream is both shocking and yet eerily familiar. 

“Mulholland Drive,” often regarded as Lynch’s magnum opus, continues to haunt viewers with its disjointed narrative, melding elements of noir, psychological horror, and identity exploration, all set against the glitzy but decaying backdrop of Los Angeles.

“But even more than that, Lynch’s legacy lies in his ability to make us question the nature of life itself. In an age where audience expectations for clarity and resolution often outweigh the desire for artistic exploration, Lynch stands as a defiant figure, unafraid to push the boundaries of cinema.”

Lynch’s films possess a distinctive quality of being elusive, of being part of a larger puzzle that refuses to be solved. And yet, this refusal to provide clear answers is part of his genius. His works are best appreciated not for their plot, but for the feelings and thoughts they provoke. Lynch allows us to experience the depths of human depravity and beauty simultaneously, offering no clear moral conclusions but forcing us to reckon with the complexity of human existence. His cinematic world is one of paradoxes — dreams and nightmares, love and violence, beauty and horror — all wrapped in an aesthetic that is unmistakably his own.

Lynch’s influence extends far beyond the confines of film and television. His legacy also includes his contributions to sound and music. The work of composer Angelo Badalamenti, most notably on “Twin Peaks,” became inseparable from Lynch’s aesthetic. The haunting, ethereal tones of the “Twin Peaks” theme evoke a sense of nostalgia, melancholy, and dread — three emotions that are central to Lynch’s worldview. The collaboration between Lynch and Badalamenti, which spanned several projects, gave Lynch’s world an auditory texture that deepened the emotional resonance of his visuals.

Lynch’s work “Inland Empire” was the culmination of what he had been doing in film for decades. The surreal atmosphere, the almost completely nonsensical story, and the fact it’s shot on a camcorder make it by far the weirdest thing he had done. It’s a beautiful testament to abstractions in art.

Lynch’s refusal to adhere to traditional filmmaking paradigms has cemented his status as a pioneer. His ability to manipulate time, space, and emotion in ways that defy explanation is his most significant contribution to cinema. What is often called Lynchian — a term now synonymous with his distinctive style — refers not just to the visual and auditory choices he made, but to the worldview his films communicate: one of fractured realities, psychological trauma, and the impossibility of true understanding. 

If “Inland Empire” was the culmination of Lynch’s work as a filmmaker, then “Twin Peaks: The Return” is the culmination of Lynch’s work as an artist. Everything comes together and is perfected in this limited series. Every single element that makes the art of filmmaking is perfected. The music, the writing, the visuals, the sound, and the dialogue culminate in this monumental work of art. 

His influences go far and wide. Monumental filmmakers such as Stanley Kubrick loved David Lynch. He went as far as to say “Eraserhead” was his favorite film. Underground filmmaking legends like Gregg Araki, who made the wonderful “The Doom Generation” cited “Twin Peaks: Fire Walk With Me” as an influence. Contemporary indie filmmakers love him such as Jane Schoenbrun, who made “I Saw The TV Glow.”

To me Lynch’s films made me realize that film was an art. It doesn’t have to just have a deep story. In fact, it doesn’t need to have a story, it can be a collection of visuals. That’s what  the power of film is. To tell a feeling through image and sound.

But even more than that, Lynch’s legacy lies in his ability to make us question the nature of life itself. In an age where audience expectations for clarity and resolution often outweigh the desire for artistic exploration, Lynch stands as a defiant figure, unafraid to push the boundaries of cinema. His films demand a particular kind of engagement — a willingness to embrace ambiguity, to sit with discomfort, and to venture into the unknown. 

In the end, David Lynch’s films aren’t about finding answers. They are about catching a dream and finding the meaning through interpretation. It’s far too often people search for direct answers. They want the explanation fed to them. Lynch is someone who stood against that and made people think about what it could all mean for themselves.

Review: ‘The Notebook’ offers a love story with authenticity for viewers

by Abbigail Hollins

 “The Notebook,” directed by Nick Cassavetes , is based on the 1996 novel by Nicholas Sparks.

This story is a very well known story with it being such a heartfelt story that many love. People know it as a romantic drama because of its loving and romantic scenes and the rough times that come with that.

This story is of a young couple, Noah Calhoun and Allie Hamilton, two young adults that fall in love during the early 1940s. Despite facing numerous obstacles, including social class differences and World War ll, their love endures.

The film is most known for beautiful cinematography, emotional depth, and strong performances by Ryan Gosling and Rachel McAdams. The movie is a touching story of love and memory that connects with the audience. The film is popular and known by many. But how well do we really know it?

The on-screen chemistry between Gosling and McAdams was undeniable. However, off-screen, their relationship was initially quite tumultuous. The actors has a rocky start, with Gosling even asking for McAdams to be replaced at one point. Despite this, they managed to work through their differences, and their performances ultimately brought the love to life in the movie.

An interesting aspect of the production was the dedication to authenticity. The filmmakers went to great lengths to ensure that the setting and costumes accurately reflected the 1940s and 1950s. The movie was filmed in various locations in South Carolina, capturing the romantic southern backdrop. The crew also paid attention to detail in recreating the period’s look and feel, from vintage cars to the era- appropriate clothing. This commitment to authenticity helped immerse viewers in the love story, making the film a classic. 

The story was inspired by the real-life relationship of Sparks’ then wife, Cathy’s grandparents, who had been married for over 60 years. Sparks was moved by their love and the way they continued to cherish each other despite the challenges of life, aging, and illnesses. This heartfelt connection served as the foundation for the movie, which viewers will enjoy.

Graphic by Abbigail Hollins.

Column: Public Domain movies: Passion or Cash Grab?

by Sam Ottinger

Winnie-the-Pooh and Steamboat Willie have been a part of many people’s childhoods, through many different generations. Yet that isn’t the only connection, for they have all recently joined the public domain in the past three years.

The Public Domain is when a certain copyrighted property can now be used freely, without obtaining permission from the original copyright owner in order to gain money from the IP. 

This availability can actually expand the character by having more interpretations of beloved characters, yet, as has happened to many already, it can just be a quick name to slap on a low budget movie without thinking of the connections between the source material and the new take.

Art by Sam Ottinger.

A good example of this more lackluster avenue is the horror movie “Mouse Trap,” directed by Jamie Bailey and released on August 6, 2024, a horror take on “SteamBoat Willie,” which entered the public domain on Jan. 1 of that same year. The trailer for this movie first popped up a day after on Jan. 2. 

This movie has very little going for it, and the inclusion of this past Disney property isn’t part of that group. 

“Mouse Trap” has very few meaningful connections with SteamBoat Willie, except for random inclusions of the original short, and a mask that is supposed to resemble him. Yet even this mask point can be debated, for it seems to be more based off of the present day Mickey Mouse, lacking the steamboat hat of Willie, which is a key part of discerning the two versions.

This could be ignored, if the environment took up pieces of the original setting of a boat, but even that is ignored in favor of a random arcade.

“Mouse Trap” is a prime example of a movie using a well known IP in order to garner attention to a generic horror movie. The similarities between their “Steamboat Willie” and the modern day Mickey Mouse, even having the name of the villain be Mickey Mouse and not Willie,  shows how they were less focused on turning the original short (or even just putting something truly inspired by it in) into something new with passion behind it.

In a very telling interview with scriptwriter Simon Phillips, he reveals the true intentions behind this movie’s creation.

First, he talks about is that their original idea is the idea they went with. This would typically not be a problem, but with everything else, it just adds to show the lack of care in producing a good movie, let alone one with good connections to a source material.

In this interview he also talks about the original name of Mickey’s Mouse Trap; this is another small detail that could be seen as minor, but it just shows the limited research done on the specific version in the current domain.

This horror movie trend continues with “Blood and Honey,” released March 17, 2023, and its sequel, released March 18, 2024. Both are slasher takes on Winnie the Pooh and his friends. Winnie and Piglet entering the public domain in January 1, 2022.

The first movie had a connection to the original material in the beginning, through a drawn backstory; yet it loses that clear connection quite quickly. It does do a slightly better job at representing the original IP than “Mouse Trap” did, but it also ends up in the category of being another generic slasher movie with a main antagonist that just happens to look like the classic character.

The first movie was also just one of the many movies produced by Jagged Edge Productions throughout 2023, showing another layer to its focus not on being a good movie, but more a focus on quantity over quality.

Luckily, not all horror versions of public domain IPs are unable to go through improvement.

The second “Blood and Honey,” aptly named “Blood and Honey 2,” is able to prove that creativity can be used in these sorts of concepts. 

“Blood and Honey 2” includes new characters, like Owl and Tigger, due to their copyright running out between the first and the second, on January 1, 2024.

It is still not a perfect movie, but the increased budget, time, and effort used to create it helps elevate it from the first movie.

The mere presence of a second movie for a poorly received yet well known film typically is seen as another excuse to make money, but this wasn’t a project that was meant to be spat out and forgotten as the first one had.

Even with the bigger budget, roughly $500K, there were many aspects that producer Scott Chambers and director Rhys Frake-Waterfield had to take into their own hands to improvise solutions, such as when their costume designer quit on them three days before they were to start filming.

This already shows more effort and passion than “Mouse Trap” ever had. 

There was, of course, an incentive to create a second movie, due to the possible profit that could be made, but instead of going down the route of quickly making a cheap sequel, they stuck to making something with a better script, acting, and prosthetics.

When a well known character enters the public domain, many are quick to try and profit from it by making low budget projects including these characters.

Notably, many are horror themed, which can either be equated with the fact that studios aren’t having to worry as much if a horror film fails than if an action one did, or due to the trend of turning something that would appeal to children into something darker that was popular around the times these movies were released.

Nevertheless, there are many who use these characters as a way to earn off of their name(s), but that shouldn’t dissuade others who have ideas with these IPs from creating something they truly have passion for. These characters don’t deserve to be left behind just because their copyright expired.

The public domain is here for the benefit of creativity, even when that may lead to not-so-perfect media

Review: ‘She’s the Man’ offers unique take on Shakespeare’s ‘Twelfth Night’

by Gracie Reeves

“She’s The Man” (2006) is a hilarious modern take on Shakespeare’s “Twelfth Night,” starring Amanda Bynes as Viola and Channing Tatum as Duke.  

Viola’s ultimate passion is playing soccer, but she is challenged because her school’s girls’ soccer team gets cut. She is so determined to play soccer that she then plans to disguise herself as her twin brother, Sebastian, and enroll at his new school, Illyria, to play against the boys’ soccer team at Cornwall.  

Once she gets there, she has to navigate challenges such as fitting in with the other guys and dealing with the star player, Duke Orsino. Viola then starts to develop a crush on Duke, but he’s trying to win another girl, which leads to some major romantic tension. It’s a big challenge for Viola to try to act like a guy, but also somehow impress Duke. 

The soccer side of the movie is fantastic. I personally loved these scenes, as they were super entertaining and well-choreographed. The soccer scenes were intense and exciting while also being funny. I thought they were the highlight of the movie. 

Back to the actual movie, as the story unfolds, eventually the truth comes out, leading to Viola boldly revealing her true identity. The ending is sweet, with a classic romantic resolution. The whole message of the movie is about being true to yourself.  

Overall, I thought the movie was great. I was on the edge of my seat the whole time, and I enjoyed every second of it. If you love comedy and romance, of which this movie is a great example, I highly recommend giving this a watch. 

                                    Where To Watch “She’s The Man” 

The Roku Channel Amazon Prime Video Paramount + 

Review: Teens will find Conan Gray’s lyrics relatable to their lives

by Ricky Cummins

In 2021, I found Conan Gray on the CMA music awards on TV. He has been my favorite artist since then. 

Gray has four albums, 112 songs, and has 5.36 million subscribers.  Quick disclaimer, some of his 112 songs are covers, or features. Also, some songs are translations. Conan Gray is a 26-year-old singer and songwriter and former YouTuber. He started his YouTube channel in 2013. Gray became popular in 2019-2020. Gray has also starred in the movie SOUR Prom.

His music has a type of rhythm that I have not found anyone could recreate. When I think of Conan Gray, I think of his songs “Heather,” “TCTAB,” and “Manic.” These three songs have been some of my favorites for some time now but all of his songs are a work of art.

I love “Heather” for the reason that the song is relatable. He sings about everyone having a “heather.” I interpreted this song as being about someone who has left him for another person and he has been jealous and frustrated. Gray sings in the chorus, “Why would you ever kiss me? I’m not even half as pretty”. I believe he is feeling used and confused. His envy and jealousy shows in the lyrics “But how could I hate her? She’s such an angel. But then again, kinda wish she were dead.” 

I think of “TCTAB” because once again, it’s relatable. TCTAB stands for “The Cut That Always Bleeds.” I believe that he named this song after one of his toxic relationships. This relationship was hard to get over because they were leaving and coming back over and over again. The lyrics “I don’t love you anymore, a pretty line that I adore, five words that i’ve heard before,” prove this. He keeps falling for this person every time they come back when he sings. “’Cause I could be your lover on a leash, Every other week, When you please.”

Last but not least, “Manic”. “Manic” is a catchy and overall a well rounded song. It pretty much talks about his experience with an ex that spreads around rumours. In the pre-chorus Conan stands up for himself when he says, “You should turn back to your rat pack, tell them I’m trash.” I think he says this because he is getting over the rumors and stories about  him and he feels that what others say doesn’t affect him. By telling people to call him trash feels like an “I don’t care what you say or do,” statement. This also shows in the lines in his chorus. “Tell all of your friends that I’m crazy and drive you mad. That I’m such a stalker, a watcher, a psychopath.”

If you like Pop or any of the sub genres indie, acoustic, and bedroom, there is a good chance that you will like Conan Gray. Teen Vogue has also called him ”the pop prince for sad internet teens.”

One thing’s for sure, teens today will find his lyrics relatable to their own lives.

AlbumsPopular Songs
Sunset Season“Idle Town,” “Generation Why,” “Crush Culture
Kid Krow“Comfort Crowd,” “Wish You Were Sober,” “Maniac”
Superache“The Exit,” “Family,” “Memories”
Found Heaven“Found Heaven”, “Never Ending Song,” “Fainted Love”